Tag Archives: 2018

Mom and Dad (2018)

Being that this is directed by one half of the Neveldine/Taylor dynamic duo, it’s not surprising to find that Mom and Dadfeels like a Neveldine/Taylor sensory attack, just one that lands only half the damage. It’s fine¬†though! The film’s primary … Continue reading

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Mute (2018)

To echo a lot of the other criticisms (and in fact criticisms dating all the way back to early script reviews), Mute‘s neon-junk sci-fi setting never feels totally necessary to the plot or themes, but then again there’s no valid … Continue reading

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Golden Exits (2018)

Another unmistakeable entry into the Alex Ross Perry canon aka “The Ongoing Dramas of Upper Class Assholes”. Perry mounts a mass ensemble but avoids an Altman-like sprawl by cleverly having them all pivot around Emily Browning’s Naomi. It’s a collage … Continue reading

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