Author Archives: Ross Birks

All the Light in the Sky (2012)

This greatly benefits from Swanberg turning his lens on older, more seasoned actors. Jane Adams is deservedly front and centre and the film feels like her property. Like Adams, her character is a mature character actress trying to navigate a … Continue reading

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Joe Swanberg deals with the consequences of his filmmaking in The Zone (2011)

The ferocious realism of Joe Swanberg’s films often leave me questioning where the line between fact and fiction begins to blur. As seen through the pixelations of a low-fi digital lens, the intimacy can be so intense – the nudity … Continue reading

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The Lady Without Camelias (1953)

La signora senza camelie could also be translated as “Melodrama and Film Sets”. Antonioni’s scathing takedown of the Italian film industry follows an actress called Clara (Lucia Bosé) as she navigates a world of seedy moviemakers and greedy agents, exclusively … Continue reading

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Sing Street (2016)

A delightful speaker-blast of kitchen-sink escapism which further proves John Carney to be the modern master of the movie musical. Sing Street makes you feel good, it makes you tap your feet; it’s a vision of Irish streets in the … Continue reading

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Split Screen: Dogtooth (2009)/Split (2017)

https://www.youtube.com/watch?v=Ex-DCL8W08s In an interview with the AV Club around the time of Split‘s release, director M Night Shyamalan pointed to the influence of Yorgos Lanthimos’ Dogtooth on the film’s cinematography: Well, then you remember how the frame is so irreverent to … Continue reading

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Midnight in the Garden of Good and Evil (1997)

This is so unlike anything else Eastwood has ever directed that it feels borderline experimental for him. In adapting a famously populated true crime novel, Midnight in the Garden of Good and Evil works best as a document of an … Continue reading

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The Lair of the White Worm (1988)

Even when working to create a silly horror mystery full of campy entertainment value, as he is here, Ken Russell can’t help but transform it into A Ken Russell Movie. Lair of the White Worm works best when it’s explicitly … Continue reading

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Not Fade Away (2012)

“When you’re singing the blues, the lyric line often starts “Woke Up This Morning”. Life just comes and fucks you right over, right?” – Pat, Not Fade Away “Woke Up This Morning, got yourself a gun” – Opening theme to The Sopranos … Continue reading

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The Game (1997)

The one Fincher flick everyone agrees is underrated, right? Every time I return to The Game I’m struck by the level of craft Fincher applies to an otherwise dopey idea. It’s not hard to imagine the various, sensational ways this … Continue reading

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The Gate (1987)

While clearly forged in the age of Spielberg and Dante, The Gate is easily one of the better attempts at achieving that ghoulish tone. From the evocative opening dream sequence – young Stephen Dorff wakes to find his house ransacked … Continue reading

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