Category Archives: Reviews

Rocky IV (1985)

Stallone never really gets his due as a filmmaker. Anyone who believes in the auteur theory could make a serious case for Stallone just by looking at the Rockyseries. I love these movies because of how he utilised them to reflect … Continue reading

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Singles (1992)

Probably Cameron Crowe’s lightest film (during his “on” period at least) in terms of content but the snapshot – or “single” as opposed to “album” – presentation makes it pleasingly episodic and breezy. It’s essentially a collection of vignettes, each … Continue reading

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Darkman (1990)

Essentially a dry-run for a lot of ideas Raimi would retool for his Spider-Mantrilogy, but considered on its own terms – as a 1990 made-for-screen comic book movie – Darkman is a fun little curio. Green-lit and released hot on the heels of … Continue reading

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Raising Cain (1991)

DIRECTOR’S CUT A fascinating re-assembly that restores De Palma’s original structure before he got cold feet and made it more linear to avoid confusion amongst audiences. I rewatched the theatrical version just before this and, for anyone savvy to De … Continue reading

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The Matrix (1999)

“I know you’re out there. I can feel you now. I know that you’re afraid. You’re afraid of us. You’re afraid of change. I don’t know the future. I didn’t come here to tell you how this is going to … Continue reading

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Tale of Tales (2016)

It’s easy to get lost in this movie for the initial stretch because of the gorgeous world-building and visuals. There’s a barrage of heightened, fantasy imagery shot like grotesque pastels. It’s a storybook reality and one of the best I’ve … Continue reading

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Hell or High Water (2016)

The film’s quiet greatness is way more potent upon rewatch. So much to chew on here. The slow-burning sense of the inevitable that looms over everything is really something. It’s not exactly dread, it’s sadder than that, more human. There are car … Continue reading

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The Box (2009)

“I like mystery. Don’t you?” Man, seven years have done The Box a lot of favours. It’s jumped up at least two stars since I first saw it and watching it today, in 2016, every weird and puzzling little flourish feels less … Continue reading

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The Aviator (2004)

Has the bones of generic biopic but is made even stronger by Scorsese and screenwriter John Logan’s decision not to tell the full Howard Hughes story, but a very specific chunk. DiCaprio’s performance is gargantuan as is the electrifying filmmaking from Scorsese. … Continue reading

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Assault on Precinct 13 (1976)

“It’s a siege. It’s a goddamn siege!” About as close to perfect as low-budget, economic genre filmmaking can get. Carpenter’s spartan, precise camera glides around capturing glorious PanaVision compositions. This is still early Carpenter and you can feel him finding … Continue reading

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