Category Archives: Reviews

The Cremator (1969)

The Cremator plays like many things, primarily a sociopolitical document of 1930s Czechoslovakia presented as a monochromatic horror film assembled with the same hectic anarchy which frazzles Terry Gilliam’s cut-up animations. But it also works as a photo essay of … Continue reading

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Married to the Mob (1988)

Another 80s Demme banger that welcomes you with open arms upon every revisit. So full of screwball wit and genre-bending charm. I especially enjoy Demme and Fujimoto’s growing confidence with the subjective camera and the foregrounding of colourful oddballs. It … Continue reading

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Street Trash (1987)

Still trashy. Forgot how inconsequential the actual viper stuff is to the main conflict but it only makes the movie zanier. Essentially a bunch of schlocky vignettes loosely connected by shared characters but held together with a truly hellish, borderline-offensive … Continue reading

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Something Wild (1986)

Every time I rewatch this it jumps up like twenty places in my favourite movies of all time. The transition of tones is utterly jaw-dropping. A film so full of character, ennui, optimism, spontaneity, sadness and sheer life. If my … Continue reading

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The Deep Blue Sea (2011)

The Deep Blue Sea seems to come out of the gate at fever-pitch with a booming score and sweeping crane shot, both foreshadowing the sheer heights of emotion this story will eventually reach. As a browning postcard of wartime Britain it … Continue reading

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After Earth (2013)

As much as I love Shyamalan and often find ways to defend his misfires, there’s no getting round the fact that he absolutely lost his way here. Regardless of Jaden Smith’s acting chops – he clearly doesn’t have the goods … Continue reading

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A Prairie Home Companion (2006)

A Prairie Home Companion, Robert Altman’s final film, is a delight. It proves, as Altman’s career is testament to, that sometimes all you need to make a great film is a rugged and well-oiled ensemble. Showcasing the director’s penchant for busy … Continue reading

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Breakdown (1997)

An impressive 90s open-road thriller that streamlines its thrills into white knuckle simplicity. Part The Vanishing, part Duel and peppered through with some backwoods grit, Breakdown nevertheless excels on its own B-movie tarmac. There’s a physicality to this kind of … Continue reading

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The Perfume of the Lady In Black (1974)

A steady, well told psychodrama stirred into a mid-70s euro slasher that rarely wobbles into the sloppiness so many of these films are prone to. It’s very well told with a brave, authentic performance by Mimsy Farmer at the centre … Continue reading

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Eyes of Laura Mars (1978)

As far as American gialli go, Eyes of Laura Mars presents itself as something of an ideal. Stylishly directed by Irwin Kershner, front loaded with a star-studded cast and hung on a tastily absurd concept – she sees what the … Continue reading

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