Author Archives: Ross Birks

Something Wild (1986)

Every time I rewatch this it jumps up like twenty places in my favourite movies of all time. The transition of tones is utterly jaw-dropping. A film so full of character, ennui, optimism, spontaneity, sadness and sheer life. If my … Continue reading

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The Deep Blue Sea (2011)

The Deep Blue Sea seems to come out of the gate at fever-pitch with a booming score and sweeping crane shot, both foreshadowing the sheer heights of emotion this story will eventually reach. As a browning postcard of wartime Britain it … Continue reading

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After Earth (2013)

As much as I love Shyamalan and often find ways to defend his misfires, there’s no getting round the fact that he absolutely lost his way here. Regardless of Jaden Smith’s acting chops – he clearly doesn’t have the goods … Continue reading

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A Prairie Home Companion (2006)

A Prairie Home Companion, Robert Altman’s final film, is a delight. It proves, as Altman’s career is testament to, that sometimes all you need to make a great film is a rugged and well-oiled ensemble. Showcasing the director’s penchant for busy … Continue reading

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Breakdown (1997)

An impressive 90s open-road thriller that streamlines its thrills into white knuckle simplicity. Part The Vanishing, part Duel and peppered through with some backwoods grit, Breakdown nevertheless excels on its own B-movie tarmac. There’s a physicality to this kind of … Continue reading

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The Perfume of the Lady In Black (1974)

A steady, well told psychodrama stirred into a mid-70s euro slasher that rarely wobbles into the sloppiness so many of these films are prone to. It’s very well told with a brave, authentic performance by Mimsy Farmer at the centre … Continue reading

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Eyes of Laura Mars (1978)

As far as American gialli go, Eyes of Laura Mars presents itself as something of an ideal. Stylishly directed by Irwin Kershner, front loaded with a star-studded cast and hung on a tastily absurd concept – she sees what the … Continue reading

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Brazil (1985)

Legitimately one of the most comprehensively realised filmmaking visions ever committed to celluloid, Brazil is a movie stacked with aesthetic bric-a-brac and glued together by madcap paranoia. Surely Gilliam’s crowning achievement and the greatest display of his talents. Here he … Continue reading

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To Die For (1995)

Gus Van Sant never really gets the credit he deserves as a stylist. As someone who got into his work primarily through his austere “Bela Tarr Period” I’m always struck by how formally inventive and playful a lot of his … Continue reading

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Hellraiser: Hellworld (2005)

Reading the synopsis for Hellraiser: Hellworld I was excitedly hoping for the franchise’s own version of Tron. Sadly, Tron this is not. It’s not even Tron: Legacy. The videogame thing is merely a set-up to get a bunch of thankless … Continue reading

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