Tag Archives: 2018

Sicario: Day of the Soldado (2018)

Nowhere near as classy or as deliberately shot as the first Sicario, which had a visual elegance to offset any iffy screenplay quibbles. In fact, that very style led it to being at the top of my favourite movies of 2015. Day … Continue reading

Posted in Reviews | Tagged , , | Leave a comment

Mosaic (2018)

For Soderbergh nuts like myself I suppose the main thrill of Mosaic (which I saw in its episodic version and not through the intended app) is seeing how he stages, blocks and edits scenes to fit the hectic shooting schedule. Yes it’s … Continue reading

Posted in Reviews | Tagged , , , , , , | Leave a comment

Ready Player One (2018)

The Spielberg this most reminds me of is 1941. Like that film it’s absolutely choc-a-bloc with visual information and infinite content to the point where you just end up glazing over and unplugging from the action, barely engaging with it beyond … Continue reading

Posted in Reviews | Tagged , , , , , , , | Leave a comment

Mom and Dad (2018)

Being that this is directed by one half of the Neveldine/Taylor dynamic duo, it’s not surprising to find that Mom and Dadfeels like a Neveldine/Taylor sensory attack, just one that lands only half the damage. It’s fine though! The film’s primary … Continue reading

Posted in Reviews | Tagged , , , | Leave a comment

Mute (2018)

To echo a lot of the other criticisms (and in fact criticisms dating all the way back to early script reviews), Mute‘s neon-junk sci-fi setting never feels totally necessary to the plot or themes, but then again there’s no valid … Continue reading

Posted in Reviews | Tagged , , , , | Leave a comment

Golden Exits (2018)

Another unmistakeable entry into the Alex Ross Perry canon aka “The Ongoing Dramas of Upper Class Assholes”. Perry mounts a mass ensemble but avoids an Altman-like sprawl by cleverly having them all pivot around Emily Browning’s Naomi. It’s a collage … Continue reading

Posted in Reviews | Tagged , , , , , , , , | Leave a comment