A completely different beast to the original Suspiria but a beast all the same. Some major horror moments here that are legit nasty and upsetting, some of which I’ve never seen the likes of before. It’s a cruel world, full of screaming, skin and (broken) bones.
Guadagnino’s fingerprints are all over this thing as much as Argento’s were the original. His disorientating editing patterns, paired with the gorgeous stately compositions and full-tilt nightmare imagery truly fucked me up. And Thom Yorke’s score? Best of the year. It’s exhilarating to see a vision of horror mounted on a canvas this grand and grotesque. Loved most of the creative choices in how they adapted Argento’s movie (of which, like everyone, I am a rabid fan) but I can totally understand why this is proving to be divisive. The added length and political backdrop worked for me, but I get why so many find them arbitrary.
I thought Dakota Johnson, Mia Goth and Swinton were all extraordinary. Loved how Susie’s hair is often the lone ember of colour in many scenes – a subtle flickering flame which eventually becomes a pagan bonfire in the outrageous finale. This is Guadagnino’s danse macabre and I loved every deranged minute of it. Sometimes you’ve just gotta go and paint the walls red.
Watched at the Leeds International Film Festival